Have you noticed the number of people that disliked the videos that you loved or found very helpful on Youtube?
And what does that have to do with snare drum tuning?
Simple: drums are different, therefore parts of the tuning instructions won’t work for every one of them. Some are old or poor quality, others are new, top quality and expensive drums.
This very important detail has everything to do with my new discovery while tuning my snare drum last week.
For the last 3 years I’ve been unhappy with the sound of my snare drum, and even thinking about getting a new one, despite it being a PDP only about 4 years old – not really old, decent brand and model. It wasn’t looking – or should I say “sounding” – good for my drum school in Sydney. A few students even mentioned the sound of the snare drum being ‘weird’.
When I decide to start my sceptical tuning process from scratch one more time, I realised the screws didn’t come off so smoothly as I thought they should.
The screws were not rusty, but before starting the tuning process I took all screws out completely only to put a little bit of DW-40 on the screws and also inside the lugs.
I was amazed by how the screws went into the lugs so smoothly. It felt like I had just exchanged my average snare drum for one of those very expensive ones.
The tuning experience was extremely different to the previous ones, when even with a new quality skin I couldn’t end up with the satisfactory crisp sound I wanted.
The answer to me was:
– DW-40 on screws and lugs;
– tuning as everyone normally does;
and the result was that beautiful and awesome crisp sound!
Today I found this very interesting comment in a blog:
“I used to take guitar lessons with this guy whose style of teaching was letting the student take in a popular song and he’d teach you it. I remember taking Message In A Bottle by The Police to him and we worked on that for a little too long. Looking back, I just was not ready for that yet. What I really needed are those spider exercises first. I didn’t learn about those until long after I quit lessons with this teacher. The funny thing is he’d tell me about stories of other students working on songs with him for months. So he knew it was a problem. But maybe their point of view is that this is what the student wants? How can that work if they get frustrated like me and quit like I eventually did?”
I’ve had a number of students that came to learn drums from me saying – therefore thinking – they were in an intermediate level.
Despite being able to play about half a dozen of songs, that was all they could do after 3 to 5 years of training.
With the teaching method I use, based on exercises involving beats, fills, stick control and rudiments, in a matter of 2 to 3 months the same students were ready to play many simple songs. Within 6 to 12 months – depending on the student, of course – their list of songs increased fast.
Pegada Drum Method is not only about passing my knowledge. It’s also about preparing the students to recognise and understand what the drummers did in the songs they chose to learn, and play many songs without having to work on each one separately during the lessons.
Not every one of the new “intermediate” students was happy to restart from a book called Fundamentals. Well, if they have heard about (the 40 essential) rudiments but don’t remember what a Paradiddle is, and can’t apply basic variations of single strokes to create fills, they give me no option: beginners they are.
There’s no need for frustration, though. They perform better than the average beginners, they learn faster than normal, and after learning and practicing basic stuff that they missed they feel much more confident because they won’t run the risk of not being able to play simple grooves and fills for lack of knowledge and practice.
Quite old video again, but this time, heavier, and from another drumless track. Mike Portnoy innovated Heavy Metal drumming, and I spent some time trying to copy him years ago when I decided to catch up with late 90’s heavy metal. This was challenging, therefore a great way to improve. Here is the first of two Dream Theater drum cover videos I made.
This video is about 3 years old. I was having some fun on the drum kit with my camera on, and that was the result.
Nothing pre-programmed, nothing that I had practised for a long time. The jam blocks were new in my kit. I play some tunes recorded by the Brazilian singer Elba Ramalho, and experimented the roto-tons and jam blocks in some Latin songs.
Another one of the old videos I like. Smooth Operator, Sade. It is a challange playing slow and soft, and on top of that, using the rototons and a jamblock to help filling with percussion sounds. I couldn’t find a drumless version of this song, but it was worth doing it anyway.
Drum Cover: YYZ – Rush
Before making new drum cover videos, I felt in the mood to share this one I recorded 3 years ago. I hadn’t finished yet the renovations of my music studio and I was already testing its sound. Couldn’t wait!